How To Draw From The Shoulder
How to draw the neck and shoulders with Jake Spicer
By Artists & Illustrators | Wed 20th Mar 2022
Artist and tutor Jake Spicer takes an in-depth look at how to create anatomically accurate images
You don't need to know anything about anatomy to make a good life-cartoon. When you first larn to draw, it is often best to be an unthinking eye – drawing what you see without filtering through your intellect. However, as you become more confident and competent, you might notice a applied understanding of the body'southward major anatomical landmarks will aid you lot to brand clearer observations of the shapes y'all come across on the peel'southward surface. Hither we explore the aspects of beefcake that I observe about useful to deport in mind when drawing the human figure.
Neck and shoulders
Information technology is the relationship betwixt caput and shoulders that often sets the calibration of the entire figure, with the neck bridging the gap between the face and the rest of the body. The drawings on the opposite page pick out some of the most useful shapes to notice in the neck and shoulders. Experience the shapes of your ain body: the ropey muscles of the sternomastoid muscles, running from behind your ear to your neckband bone; the mass of the trapezius – the muscles you might massage if yous'd been cartoon all 24-hour interval long; the deltoids – shoulder caps at the top of your arms. I've avoided cartoon vertebrate into the spine or ribs into the ribcage so that you lot only discover their mass and position – it is the jaw, collar bones and shoulder blades that are shut to the surfaces and can be virtually hands seen and felt beneath the peel.
Jake's materials
Charcoal pencil
Conte crayon
Cartridge Paper
Things to note
The surface
Musculature
Bone construction
Top Tip – Think of the trapezius and collarbone as shaped similar a coat hanger, they are shoulder shaped after all.
Putting knowledge into practice
A constructive approach to figure cartoon nods directly to the anatomy of the body. Try starting a life drawing with a skeleton of quick, gestural lines that reference bone construction, followed by muscular masses that can be layered on to that internal scaffolding like clay on a wire armature.
Armature
First uncomplicated, drawing in the mass of the skull – cranium and jaw – before finding an imagined line for middle the spine, bisected by a horizontal line from shoulder to shoulder to suggest the presence of the collar bone.
Masses
Add form to the wireframe of the torso – look for the sterno-mastoid muscles running from ear to clavicle either side of the neck, framing the wedge of the pharynx. Draw in the coat-hanger triangle of the trapezius and the caps of the deltoids at the tops of the arms.
Surface
Rub your initial construction back and use a new, make clean line to pick out the edges that y'all notice on the surface of the pare – discover how the contours of the body form themselves over the underlying musculature, supported by the bone structure.
The Shoulder Girdle
The shoulder girdle, encompassing scapulae and collarbones, sits like a crown over the mass of the rib muzzle. Seen from above it creates a diamond-shaped form, supporting the arms at two corners and only attaching to the ribcage at the front, where the collar bones dip to a deeper Five when the shoulders rising.
Tilts and turns
The ears, sitting at the meridian of the cervix, provide a pivoting point as the head tilts dorsum and forward. When the caput is tilted back, the sterno-mastoid becomes taught and the neck is exposes – the distance between chin and clavicle increasing. As the caput tilts downward, that distance closes over again, an imagined line from the ear to the underside of the olfactory organ suggesting the extremity of the tilt.
Images belongings of Jake Spicer. For more information visit http://www.jakespicerart.co.uk/
For more how to analogy guides click here, or click to find out how to draw optics with Aine Divine.
Source: https://www.artistsandillustrators.co.uk/how-to/illustration/how-to-draw-the-neck-and-shoulders-with-jake-spicer/
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